Advance Electrician, Wicked National Tour
Responsible for FOH advance for tour. Also advanced set electrics including LED and wireless DMX technology. (2005-present)
Production Electrician, Nutcracker, North Carolina Ballet. (2004-2007)
Pyrotechnician, Jekyll and Hyde, North Carolina Theatre. (2004)
Electrician, Wicked Broadway
Robert Fehribach, Production Electrician
Responsible for moving light maintenance (VL2000 and VL3000 units) and fog/haze systems. (2004)
Lighting Designer, Beehive Minneapolis - SGH Entertainment
Sandy Hey, Producer
Wendy Short-Hays, Director
Designed and installed lighting design in Minneapolis for sit-down production. (2004)
Production Electrician, Lucia di Lammermoor Greensboro Opera Company
Kent Dorsey, Lighting Designer
Installed production in Memorial hall in Greensboro (2003)
Pyrotechnician/Assistant Electrician, Beauty and the Beast National Tour
Natasha Katz, Lighting Designer
David Benkin, Production Supervisor
Maintenance and firing of all butane and 1.4G pyrotechnics including ‘Lumiere Hands’ and ‘Enchantress Flameball.'
Maintenance of radio controlled dimmers and dry ice effects. (2003)
Job-In Electrician, Vee Corporation, Shopwork
Charles Croan, Shop Foreman
Refurbished and repaired lighting equipment. Including Flying Pig, High End and custom instrumentation and consoles. (2003)
Head Electrician, Aida National Tour
Natasha Katz, Lighting Designer
Robert Fehribach, Production Electrician
Responsible for all aspects of electrics including Virtuoso Vari*lite system, Obsession conventional system, Pani, laser effect, radio-controlled dimming system and smoke/haze systems. Supervising 5 road and 4 local electricians. (2001 -2003)
Electrician, Ragtime Bus and Truck
Peggy Eisenhower, Lighting Designer
Robert Fehribach, Production Electrician
Responsible for consoles operation. Maintenance
and re-focus of VL luminaires (VL5, VL6B). (2000)
Technical Director, Tony ‘N Tina’s Wedding Cleveland Hannah Theatre
Sandy Hey, Artistic Director
Carey Wong, Production Designer
Responsible for two-week load-in of electrics,
sound, props and set for open-ended run
in Hannah theater, Cleveland. Supervised crew of 7 union and non-union labor
stagehands. Advised Managing Director on union agreements. (2000)
Pyrotechnician, Martin Guerre Pre-Broadway Tour
Cameron Mackintosh, Producer
Robert Fehribach, Production Electrician
Responsible for 1.4G pyrotechnics, butane torches and flame paste
used in “Flaming wall” effect in show. Assisted in maintenance of DHA,
Martin Mac500, VL5 and Pirouette units. (1999-2000)
Vari*lite Technician, Spirit Bus and Truck
Alan Alderman, Lighting Designer
Janice Gary, Production Electrician
Responsible for
maintenance and re-focus of moving light rig of 42 luminaires with Wholehog II
control. VL2cq, VL4, VL5, VL6, Cyberlights, CXI color scrollers. (1999)
Head Electrician, Jekyll & Hyde Bus and Truck
Beverly Emmons, Lighting Designer
David Reese, Production Electrician
Supervised 2 road and 4 local electricians. Responsibilities:
load-in, load- out, operation and maintenance of conventional, moving light
(VL2cq, VL6) and pyrotechnic (green dot, butane) systems (1999)
Head Electrician, Disney’s Beauty and the Beast National
Natasha Katz, Lighting Designer
Scott Schilk, Production Electrician
Three positions over tenure. Duties
– Head
Electrician: Supervised crew of 3 road and 5 local electricians. Conventional
system included Pani, DHA, ColorRam II scroller units.
– V*L Technician:
Re-focus, re-light of Vari*lite system
during moves; repair and maintenance of VL2c, VL4, VL5 and VL6 units (87 units).
– Pyrotechnician: Maintenance and firing of all butane and 1.4G pyrotechnics
including ‘Lumiere Hands’ and ‘Enchantress Flameball.’ Maintenance of
radio controlled dimmers and electric motor effects; liquid nitrogen and dry-ice
fog effects. (1995-1999)
Assistant Supervisor, Automation, Scenic Technologies
Assistant
to Michael Paulin. Duties included
estimating, bookkeeping and purchasing. Projects included: T2-3D, Beauty
and the Beast - Toronto, Tokyo and National Tour (1995)
Founder, Operator,
Masters’ Lighting Service
Started
a stage lighting rental service for Yale students with funding from the
Masters Council at Yale College. Responsible for purchase,
rental and maintenance of equipment. Initial capital of $20,000. (1993-1995)
Assistant Consultant, Draftsman, Theatre Projects Consultants
Duties included AutoCAD drafting, design of lighting and rigging systems, research of new materials, evaluating projects for owner turnover and marketing research. (1994)
Producion Supervisor/Assistant Production Supervisor,
Yale Drama School/Yale Repertory Theater
Production Supervisor of
Yale Drama School productions and verse projects with budgets $750 to $20,000 and Assistant Production Supervisor on Yale Rep productions with budgets $20,000 to $75,000. Hiring and firing control over job-in employees. Liaison between production and artistic departments and Fire Marshall. (1993-1994)
Resident Lighting Designer, House Electrician,
Florida State University School Of Music
Four performance halls: 1500 seat roadhouse, 500
seat opera house and two 250 seat
recital halls. Responsible for maintenance
and operation of all lighting and sound equipment. Call steward for all
departments. (1991-1992)
Vari*lite trained. I.A.T.S.E., Local 115. Member U.S.I.T.T.
Yale School of Drama M.F.A., Technical Design and Production (ABT)1995
Florida State University B.F.A., Lighting Design 1992